California College
of the Arts
Graduate Fine Arts
Class of 2020
IdeasArtists
  • Margot Becker
  • Luis Casas
  • Hoi Chang
  • Arleene Correa Valencia
  • Jillian Crochet
  • Jeff Enlow
  • Santino Gonzales
  • Jordan Hartney
  • Jacob Peichuan Ji
  • Sarah Kanninen
  • Lucien Dante Lazar
  • Alex Y Lee
  • Yuxuan Li
  • Jingbo Liang
  • Christine Lyon
  • Courtney Odell
  • Jaymerson Payton
  • Alejandro Elias Perea
  • Narges Poursadeqi
  • John Roy
  • Maxine Schoefer-Wulf
  • Katie Smart
  • Sam Soon
  • Hannah Waiters
by Jacqueline Francis

Carrying On

by Jacqueline Francis

Stop me if you’ve heard this one before: commencement isn’t the right word for our moment. For sure, commencement makes an impression, sounding as it does like attainment and achievement, i.e., other words we like to be around. Stretching across a page in block print or cursive letters and flanked by an institutional seal and mortar board clip art, commencement is quite the sight, fueling passion for tradition and ritual.

Instead, let’s try “continuation” on for size. After graduation, you’ll continue what you’ve been doing, albeit with new academic credentials, work that you’ll share with others, and expanded professional and personal networks. You might be doing all of this here in the Bay Area, and with greater urgency. nOur region’s scale gives us a good chance for making lasting change, finally addressing the crises that were there all along. Everyone knows that we can do better by each other, not only in the art industry but in society at large. New structures are overdue.

It’s hard to turn on a dime, to adjust to a shifting landscape when the atmosphere is suffused with anxiety. Yet this is where we are, with no more guarantee of permanence and relevance than what we had just a short time ago. An artist friend of mine who launched her career in the 1980s complains that collectors make a beeline to the work she made in that decade, bypassing her recent efforts. They’ll eventually get to the latter, I tell her. Interest and preoccupation with past projects are indications of their lasting power: the works index unanswered questions that still hang in the air.

A couple of weeks ago, I watched a house painter navigate his work site. It was across the street from my apartment; I had an unobstructed view of the building he was painting from my kitchen windows. Yet somehow I missed the arrival of the scaffolding and the crew that had set it up. Now, there was this single man in a white jumpsuit with a leaf blower, whose roar startled me. This preparatory task seemed not worth the din: nothing was swept away or gathered into a bin. Then, suddenly, sun rays struck some airborne particles, illuminating what had been there the whole time.

Jacqueline Francis is Associate Professor and Chair of the Graduate Visual and Critical Studies Program at CCA.

Introduction: Thesis Readings Intimacies of the Future: the Seren(dip)ity of Mayhem

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graduateprograms@cca.edu

The Graduate Fine Arts Program at California College of the Arts attracts an international cohort of emerging artists to work with renowned faculty and distinguished visitors in the culturally diverse San Francisco Bay Area. The two-year MFA program is characterized by a culture of critique, studio making, and social engagement.

2019–2020 faculty include Kim Anno, Anthea Black, Julian Carter, Nelson Chan, Susanne Cockrell, Brian Conley, Kota Ezawa, Josh Faught, Mia Feuer, Jeanne Finley, Karen Fiss, Linda Geary, James Gobel, Barney Haynes, Glen Helfand, Angela Hennessy, Anthony Huberman, Clay Jensen, Jordan Kantor (Chair), Lynn Marie Kirby, Jaime Knight, Christina Linden, Nathan Lynch, Elizabeth Mangini, Aspen Mays, Ranu Mukherjee, Michelle Murillo, Kim Nguyen, Alison O’Daniel, Maria Porges, Frances Richard, Peter Simensky, Allison Smith, Keith Thomas, Ignacio Valero, Deborah Valoma, Sam Vernon, James Voorhies, Christine Wang, and Karla Wozniak.

CCA

MFA

2020